ECHO
“Reworking familiar imagery is just my way of giving history a second look.” – Jesse Mockrin
Based in Philadelphia, this artist examines Renaissance and Baroque artists’ art, with an eye on the survival of traditional narratives and beliefs in contemporary society. She then intervenes with her own modern canon.
Jesse Mockrin’s paintings “respond to histories of sexual violence and cruel treatment of women over millennia of myth and story, offering interventions and moments of resistance.”
Collectively, the paintings in ECHO highlight “an ongoing battle for bodily autonomy”.
The above painting is based on the Greek and Roman myth of Echo and Hera.
The biblical widow and heroine, Judith, beheads Assyrian General Holofernes and saves her people. This was a popular subject for artists in the 15 & 1600’s due to the “stark contrast between Judith’s femininity and the aggression of her violence.”

Mockrin builds up thin glazes of oil paint, a European Renaissance developed technique. “she crops her composition sharply, hiding critical elements of a story and leaving conflict unresolved.”
Unvarnished, her paintings have an eerie flatness.
“Grasping, pulling, lifting …. I am drawn to the ways that Baroque painters build drama and tension into their compositions.” Jesse Mockrin
Based on Ruben’s The Massacre of the Innocents, the woman in the right panel is based on one of the mothers protecting her children.


Painted circa 1610, The Massacre of the Innocents resides in the AGO’s collection. The photo on the left is an allowable share from the AGO. Click on the image to visit the page, and a larger version of the masterpiece..
In the Book of Genesis – Rachel and Leah were both married to Jacob.
Leah had many children. After many years of yearning to be a mother, Rachel had 2 sons. She died giving birth to the second child.
Pics taken by Resa – December 9, 2025
Art Gallery of Ontario, Toronto
“Quotes in bold are by Jesse Mockrin”
“Quotes in italics are from the AGO”
All source is from the AGO















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