Tag: Amateur Photography

Making Her Mark – Self Portraits IV

On By ResaIn Making Her Mark175 Comments

Welcome back everyone! Today Rebecca Budd curator of Chasing Art  and I are going to present and discuss the 18th century artist, Anne Guéret!

Resa – Rebecca, how wonderful to have you back! I know it is believed that this is a self portrait of Anne Guéret but no one can verify it. Still, I have included it in this series. I hope you are good with that?

Rebecca – I am delighted that you have included Anne Guéret’s Portrait of an Artist with a Portfolio, Resa! This painting revolutionized the portrayal of women artists. I believe that it is an essential addition to your “MHM”* series.

Resa – Well, let’s get to everything you found out!

Mlle Guéret the Younger

Anne Guéret (1760–1805), also known as Mlle Guéret the Younger, was a notable French painter who was active at the end of the 18th century and the beginning of the 19th century. Despite being orphaned as a child, she and her sister Louise Catherine Guéret were fortunate to be adopted by the renowned dramatist and librettist Michel-Jean Sedaine.

His act of adoption not only provided the sisters with a stable upbringing but also served as a catalyst for their artistic pursuits, shaping their future as prominent figures in the art world of the late 18th and early 19th centuries. Under Sedaine’s care, they were introduced to esteemed painters Henri-Pierre Danloux and Jacques-Louis David, who provided them with valuable art lessons.

Salon Debut

Anne Guéret’s debut at the Salon in 1793 marked the beginning of her successful exhibition career. She continued to showcase her work in Salons until 1801, focusing primarily on presenting portraits of notable individuals. Her dedication to portraying prominent figures through her artwork and her lasting impression on the cultural heritage of France have solidified her status as a noteworthy figure in art history.

Portrait of an Artist with a Portfolio”

Resa – This particular “Salon” she first showed at is very famous. I’m just hearing about it now, and I think other female artists of the era presented there?

Rebecca – Indeed, they did! The Salon aka Paris Salon had its debut in 1667. It was the official art exhibition of the Académie des Beaux-Arts in Paris. Between 1748 and 1890, it was arguably the greatest annual or biennial art event in the Western world. The Salon played a significant role in the exhibition and recognition of artists during the 18th and 19th centuries.

While the official inclusion of women artists in the Salon was a gradual process, it did eventually provide opportunities for them to exhibit their paintings. Contemporaries of Anne Guéret, Anne Vallayer-Coster and Adélaïde Labille-Guiard, also participated in the Salon. Their contribution marked progressive attitudes towards women artists during that period.

Portrait of an Artist with a Portfolio

Anne Guéret’s “Portrait of an Artist with a Portfolio” was prominently displayed at the Salon of 1793, marking a significant moment in her exhibition career.

From a 21st-century perspective, the portrait of a young woman drawing by Anne Guéret (possibly a self-portrait) may appear unremarkable at first glance. However, upon closer examination, it represents a significant turning point in the history of women artists in Europe.

Click on pic to better see the nude drawing

The depiction of the seated woman drawing a nude male figure, albeit likely from a print or sculpture rather than a live model, signifies a progressive shift in attitudes towards women artists in the late 18th century.

Resa – Yes, the nude figure is remarkable for that era. Very few women dared.

Rebecca – According to historical records and analysis, Anne Guéret was not the first woman artist to paint a nude figure. Previous female artists, including Artemisia Gentileschi and Lavinia Fontana, portrayed nude figures in their artwork.

However, Anne Guéret positioned herself drawing a nude male figure, which holds significance in the context of late 18th-century art. Anne Guéret’s choice to depict herself engaging in this subject matter challenged traditional gender roles, contributed to the evolving status and recognition of women artists and carries symbolic weight to the changing perception of women artists during that era.

This remarkable piece of artwork, executed with black chalk, stumping, pen, grey ink, and grey wash on buff paper, measures 320 x 404 mm (12 5/8 x 15 7/8 in.) and reflects Anne Guéret’s distinctive artistic style and technical versatility.

The Evolving Status and Recognition of Women Artists

Anne Guéret’s relatively limited body of work available to us today can be attributed to several factors. As a female artist during the late 18th and early 19th centuries, she faced societal and institutional barriers that restricted her artistic opportunities and recognition. The historical context of the French Revolution and its aftermath created a turbulent environment that may have impacted the production and preservation of her artwork.

These combined factors may have contributed to the scarcity of paintings attributed to Anne Guéret. Despite the scarcity of paintings attributed to her, Anne Guéret’s enduring impact and revolutionary artistic vision continue to inspire and enrich the cultural heritage of France and Europe.

Anne Guéret’s indelible mark on the art world of the late 18th and early 19th centuries transcends the limitations she faced as a female artist during that era. Her dedication to her craft and the symbolic weight carried by her artworks serve as a testament to the evolving status and recognition of women artists.

Currently held in a private collection in France, this portrait serves as a monument to Anne Guéret’s enduring impact on the art world of the late 18th century.

Resa – I’m so glad we’ve shared this portrait by Anne Guéret, especially since so little of her art survived.

Rebecca – Resa, thank you for the invitation to join you on “MHM” series of posts. This experience has truly been a transformative journey of self-discovery for me. Anne Guéret challenges us to embrace boldness in our creative pursuits, urging us to push boundaries and explore new possibilities without fear of failure. Her message serves as a powerful reminder to step outside comfort zones and unleash creativity without reservation.

For Rebecca’s research links not included in the text, click on the above banner.

You can also visit Rebecca in her Reading Room!

Photos of Portrait of an Artist with a Portfolio taken by © Resa McConaghy – May, 2024

Art Gallery of Ontario – Toronto, Canada

“MHM”* – Making Her Mark”

Can You Spot the Fake Street Art?

On By ResaIn Street Art119 Comments

A wall was painted for a scene in a movie. After the scene was shot, the wall was painted over. I knew from the first piece, that something was off. Let me know which one you thought was fake in comments. Answer at end of post.

Street Art #1

Street Art #2

Street Art #3

Street Art #4

Pics taken by Resa – 2023 & 2024

Toronto, Canada

They shot a movie once, in my hometown
Everybody was in it, from miles around
Out at the speedway, some kind of Elvis thing
Well, I ain't no movie star
But I can get behind anything.

When You Blow at High Dough - The Tragically Hip

A Winter’s Solstice in Summer

On By ResaIn Alley Gallery, GALA140 Comments

Ecila looked up at the hot summer’s sun.

She was on her way to Teagan’s Christmas in July blog party, in a beautiful new gown. Blinded by the light, she accidentally turned left into a mural. Ecila looked around at the black and white world, and saw no way out.

Suddenly there was a black and white cat looming before her. “Who are you?” she asked.

“Why I’m Tac Tac the Water Cat,” he replied, “and you can’t get out the way you came in. You’ll have to go through the Purple Pink Rabbits’ door, in the pink alley.”

“Take this!” said Tac Tac, and he handed Ecila a gold rabbit coin. “Use it wisely. It’s your one chance to get out of here.”

Ecila wandered black and white curves until she saw a pink alley. In the alley was a Purple Pink Rabbit. “Hello! What’s your name, and can you please show me the door out of here?”

“I’m Tibbar,” the rabbit replied, “and yes, the door is at the top of the stairs.”

Ecila looked up some stairs guarded by three Purple Pink Rabbits. The door was there!

“But first you’ll have to get past Bugsy, Mugsy and Thugsy. Bugsy and Mugsy charge 5 gold rabbit coins each. Thugsy gets seven.”

“But I have only one gold rabbit coin,” Ecila said looking up at Bugsy.

“Not my problem,” replied Bugsy.

“There’s only one way to make gold rabbit coins here,” offered Mugsy. “You’ll have to play poker with the dogs! The game’s around the corner on an old red wood sliding door.”

Ecila found the dog’s game, draped her tail up to look like a gambler’s cape and threw her gold rabbit coin on the table.

“Chips please!” she demanded cooly.

The dogs howled. They figured she was just a human, and they would relieve her of her gold rabbit coin faster than the first day of winter. A chick in a bolero hat put a small stack of chips on the table for her.

Ecila thought of the wise words from her non uncle Kenny.

After many hours of holding, folding and not counting her chips, Ecila cashed in for 17 gold rabbit coins. She left the extra chips on the table, let down her tail and walked away.

Once out of sight of the dogs, she began running to the Purple Pink Rabbits’ door.

Ecila ran up the stairs tossing gold coins to the rabbits.

She threw the last 7 coins to Thugsy, and fled out the door. Elica ran all the way toTeagan’s blog hop party, where she made a grand entrance in her new Winter Solstice gown.

“Sorry I’m late everyone! My hair is mess and well, I can’t even begin to tell you what I’ve been through,” Ecila lightly panted. “Let me just say some cats are water cats, there’s such a thing as Purple Pink Rabbits and the the dog days of summer really are dog days.”

Teagan is holding a Christmas in Summer blog hop party. It doesn’t have to be Christmas, just a winter celebration around that time. Click on her badge above, and read the guidelines!

Outtakes

Winter Solstice gown created © by Resa – July, 2024

Pics of gown and street art © Resa McConaghy- June & July 2024

Story © Resa McConaghy – July 2024

Street Artists:

&

When Math Meets Art 2023 by Sasha Q

Making Her Mark – Self Portraits III

On By ResaIn Making Her Mark146 Comments

Welcome back to our Self Portraits series! I’m your host, Resa, with co-host Rebecca Budd, curator of Chasing Art. Today We are discussing an artist from the 17th century, Elisabetta Sirani.

Resa – So Rebecca, after all you’ve learned, and passed on to me, I’ve come to think Elisabetta was Bologna’s rockstar in the early mid 1600’s. Sayest thee what to that?

Rebecca – I agree wholeheartedly, Resa. Elisabetta Sirani’s exceptional talent and prolific body of work cement her status as a celebrated artist of her time. Despite the challenges she faced as a female artist in a male-dominated field, Sirani’s enduring legacy as a pioneering Baroque painter reflects her rockstar-like influence on the art world of her era.

Over her 10-year artistic career, Sirani demonstrated exceptional productivity, creating over 200 paintings, 20 etchings, and an extensive collection of drawings. I marvel at her ability to create a life/work balance. At the young age of 19, she took on the responsibilities of managing her father’s workshop, supporting her family, and establishing an art academy to mentor and teach women artists. Elisabetta Sirani was a true rockstar of Bologna in the 17th century. In my opinion, she continues to be a rockstar today!

Resa – Well then, let’s see what you discovered!

Master of Chiaroscuro

Elisabetta Sirani was an Italian Baroque painter born in Bologna in 1638. She was the daughter of the painter Giovani Andrea Sirani, who recognized and nurtured her talent from an early age. Sirani’s artistic skills flourished, and she became known for her exceptional talent in her short life.

Despite facing challenges as a female artist in a male-dominated field, Sirani achieved great success and recognition during her career. She was prolific, producing a large body of work that included historical and biblical scenes, portraits, and allegorical paintings. Sirani’s mastery of chiaroscuro (the treatment of light and shade in drawing and painting) and her ability to depict emotion and narrative in her works garnered admiration from her contemporaries and art enthusiasts.

The Virgin Crowned by Christ Child with Roses

A Pioneering Legacy

Elisabetta Sirani’s legacy extends beyond her remarkable talent as a painter. As the successor of her father’s workshop, she also played a crucial role as a teacher, notably contributing to the development of women artists during the Renaissance period. In addition to training her sisters Barbara and Anna Maria, she also instructed at least twelve other young women at the school she established. This pioneering initiative marked the first school of painting for women in Europe outside of a convent, embracing inclusivity regardless of the women’s artistic and social backgrounds.

Elisabetta Sirani’s legacy endures through her remarkable paintings and the influence she had on future generations of artists. She remains celebrated as a pioneering female artist of the Baroque era, showcasing remarkable talent and determination in the face of societal norms.

Resa – “Making Her Mark” even had Elisabetta’s working drawing/study for the above painting. It’s a wonderful complete experience to see both.

Rebecca– I believe the painting, “Virgin Crowned by Christ Child with Roses” is all about love. Elisabetta Sirani imparts a compelling depiction of Mary as a relatable and tender young mother, diverging from the traditional portrayal of the remote Queen of Heaven. In this painting, Mary wears a turban associated with peasant women in Bologna, creating a down-to-earth portrayal. Her adoring gaze at the playful Christ child on her lap exudes a sense of genuine maternal love. Notice how the brushwork is highlighted in the textured representation of the Virgin’s white sleeve, emphasizing its rough and homespun quality. Elisabetta Sirani, with this tender and intimate moment of affection, offers a humanizing perspective of Mary and Jesus.

On the left :

The Virgin Crowned by Christ Child with Roses – 1663 – (red wash with grey chalk on paper)

On the right:

The oil on canvas painting in the same year.

An Untimely Death

Tragically, Eliabetta Sirani’s life was cut short when she passed away at the young age of 27 in August, 1665. Her untimely demise sparked controversy snd speculation. Following her sudden passing, suspicions arose, leading to the trial of her maidservant, Lucia Tolomelli, who was accused of poisoning the talented artist. The circumstances surrounding Sirani’s death led to diverse conjectures, with some attributing it to love-sickness due to her unmarried status, while others cited stress as a contributing factor.

It is widely believed that the true cause of Sirani’s demise was the onset of peritonitis following a ruptured peptic ulcer. This unfortunate event may have been exacerbated by the significant stress she experienced, particularly after being charged with providing for her entire household.

The controversy and diverse interpretations surrounding her passing have added intriguing layers to the legacy of Elisabetta Sirani, portraying a life marked by exceptional talent, determination, and the complexities of the era in which she lived.

A Rockstar Funeral

Elisabetta Sirani’s elaborate funeral reflected the deep respect and admiration held for her in Bologna. The grand ceremony featured an enormous catafalque (a decorated wooden framework supporting
the coffin) adorned with a life-sized sculpture of the esteemed artist, as depicted in Malvasia’s biography.

Orations and music composed in her honor by prominent figures from Bologna added a solemn and dignified atmosphere to the proceedings. Following this tribute, she was laid to rest in the Basilica of San Domenico, Bologna, where she joined her father’s teacher, Guido Reni, in a shared tomb

This final resting place solidifies her enduring legacy alongside revered artistic influences, commemorating her exceptional talent and remarkable contributions to the art world.

The Personification of Music

Resa – Rebecca, of all the paintings in the “Making Her Mark” exhibition, the Elisabetta Sirani allegorical painting title The Personification of Music was, and remains my favourite. Apparently she painted it in exchange for music lessons. I think she belongs in The Twenty-Seven Club, don’t you?

Rebecca – I did not know that Elisabetta Sirani exchanged her paintings for music lessons, but I am not surprised, given her proficiency as a musician in addition to her exceptional talent as a painter. This exchange speaks to her versatile creativity and passion for various art forms, further solidifying her legacy as a remarkably talented individual in the Baroque era. I agree – she belongs in The Twenty-Seven Club.

Resa – Admittedly I am smitten by this artist. I am also wild about that fact that you are here on this journey through these profiles in exceptionality. Mille Grazie, Rebecca!

Rebecca – Resa, your dedication to artistic endeavours and your profound belief in the power of creativity to enrich our world have truly inspired me. Thank you for including me on this extraordinary journey of self-discovery through Making Her Mark. I look forward to what comes next…
“Mille grazie caro amico per averci invitato a unirci virtualmente alla tua Art Gallery of Ontario. Fino alla prossima volta.“

You can also visit Rebecca by listening in on some of her fabulous Tea Toast and Trivia podcasts.

Click the above banner to view & link to Rebecca’s sources. not included in the body of text!

Photos taken by Resa © – May 14, 2024

Art Gallery of Ontario, Toronto, Canada

Raccoon Trilogy – The Peanut Butter Chronicles

On By ResaIn Garage Doors124 Comments

Chillio

A Rock Star in the world of Rooftops, he single pawedly mutilated a humane mouse trap for the dime sized bit of peanut butter inside of it.

Chillio is known to screech a mean Rap in your yard during mating season, organize climb by garden raids and gain weight.

Mr. Draper

Works as a chimney supervisor, advertising attics. It’s a stressful career, which leads to overconsumption of peanut butter cocktails before wiping out on a branch office.

Mr. Draper is wildly adept at chewing electric wires, gnawing at support beams and building nests out of insulation.

Julia Childe

A gourmet raccoon chef, Julia Childe is first cousin, several times removed by evolution, to Julia Child. The garbage can lid has not been invented that can keep this whiz with a whisk out.

Famous for scraping up a meal from the leftover peanut butter on the insides of a tossed jar in minutes flat, she is a must to cater any raccoon repast.

Pics taken by Resa – July 21 & September 23, 2023

Toronto, Canada

Garage door Artist: