This is a post about Peace, Love, Smiles & a song Trent wrote & recorded..
It began with the John Lennon post I recently did. Trent had selected a Lennon song for the event.
Then it grew into a song and video written and produced by Trent.
The lyrics are poetic, and hold a message inspired by John.
V1 I thought I saw Lennon’s face From a trolley rocketing by It disappeared without a trace Did the vision also die?
His words come tumbling back From a far off distant land A great message on each track A utopian dream so grand
V2 I read the news today (oh boys) Children-human shields were killed Drones and bombs made some noise More innocent blood was spilled
Why is making war so appealing? Why is love considered quaint? I think our attitude is revealing Our devotion to guns a taint
Chorus
So let’s all join in Sing of peace and love again For we all belong In a Lennon written song It can’t be wrong So sing along Let us all join in All join in
Bridge
Such an imagination! He made us dream The world stood as one Our actions could redeem
Can we remember Perhaps even enhance And once again Give peace a chance?
V3 Today people gave power to the rich A billionaire grabbed more We’re told advancing is a cinch Just give the billionaires more
John trusted the People’s voice Today that seems absurd I think that we have no choice But to make our voices heard
(Chorus)
V4 I found the face in a doorway Faded into nostalgic hues The simple picture’s seen better days Reflecting Lennon’s views
Although the decades whizzed past Never believe that it is too late John’s message will always last Hold my hand, let’s temp fate
(Chorus) (Chorus) (Chorus)
Once a week there is usually a Weekly Smile post on Trent’s Blog, He tells about something that made him smile. He asks what made you smile.
This week I’m smiling because a street art post of mine, inspired a beautiful song about “give peace a chance” to be written & video to be made.
Resa – So Rebecca, today we’re shining the spotlight on another accomplished female artist once buried by history, Amalia von Königsmarck.
I “fell in love” with our last artist,Sarah Biffen. Amalia von Königsmarck does not inspire the same “fell in love” in me, yet hers is nonetheless a valuable contribution to the world of art, and art remembering us. Can you speak to that?
Rebecca – Amalia von Königsmarck’s contribution to the world of art is indeed remarkable, especially considering the complex, perilous and politically charged environment in which she lived. The intricate dynamics of the royal court, especially during the Great Northern War, as well as her spouse’s involvement in the service of Augustus II the Strong, led to dire consequences. Given her status as a dilettante painter and her involvement in painting as a hobby or pastime, it is likely that her primary motivation for creating art was personal enjoyment and creative expression. I believe that in the midst of uncertainty, Amalia chose to follow her creative spirit, which is a reminder to me that art generates positive outcomes. That thought resonated with me when I viewed your photographs.
Resa – Okay, now I’m “fell in love”with Amalia, too!So, Rebecca, let’s check out the details on what you’ve said and what else you have discovered about Amalia von Königsmarck!
Amalia von Königsmarck – A Dilettante Painter
Amalia von Königsmarck (1663–1740) hailed from a distinguished German-Swedish noble family. Her paternal grandfather, Field Marshal Hans Christoff von Königsmarck, notably served on the Swedish side in the Thirty Years’ War and was subsequently honored with the title of a Swedish count. Meanwhile, her father, Conrad Christoff von Königsmarck, held notable roles in the Swedish possessions of Bremen and Verden, among others.
Amalia von Königsmarck married Carl Gustaf Lewenhaupt, a Swedish nobleman, in 1686. Their union was a significant aspect of her life amidst the complex dynamics of the royal court.
Allegory with Self Portrait and Profile Portrait of Queen Eleonora – 1689
Resa – The above photo I took is from the “Making Her Mark” exhibit. I was lured in by its richness. This painting was not behind glass, and on close inspection I gasped when I saw the 335 year old cracks in the oils. I thought – Rebecca would love these cracks.
Rebecca – I do love those cracks, Resa!! This is a 335-year-old painting!! I believe that those delicate cracks add to overall aesthetic appeal of the artwork by providing a sense of history and authenticity. The cracks, also known as craquelure, can be seen as a unique feature that showcases the passage of time and the natural aging process of the artwork. I find that the presence of cracks enhances the texture and visual interest of the painting, giving it a distinct character that sets it apart from newer, flawless pieces.
Amalia von Königsmarck’s Artistic Pursuits
Amalia von Königsmarck was known for her literary and intellectual achievements as well as for her artistic endeavors. As a member of the royal court, she delved into the world of painting and portrayed various notable figures of her time. One of her renowned paintings is a self portrait dating back to 1688, offering a personal glimpse into her life and artistic expression.
In addition to her accomplishments in visual arts, Amalia participated in the amateur theatre of the royal court, an endeavor encouraged by Queen Ulrika Eleonora of Sweden. This involvement in the theatre highlighted her multifaceted interests and contributions to the cultural life of the royal court.
In the painting, Amalia holds her portrait of Queen Ulrika, a bold nod to her relationship with the queen.
One of her hands holds paintbrushes, depicting herself as a painter. (see full painting)It is the first known image of a Swedish female painter.
Although Amalia had studied under David Klöcker Ehrenstrahl, a Swedish nobleman and portrait painter, Amalia was a dilettante painter. This refers to an individual who engages in painting as a hobby or pastime, without pursuing it as a serious or professional occupation.
Dilettante painters typically approach art with enthusiasm and interest but may not have undergone formal training or dedicated extensive time and effort to develop their skills to a professional level. Their works are often created for personal enjoyment or as a form of creative expression, without the intention of displaying or selling them in a professional art context.
Amalia and the Great Northern War
In 1695, amidst the intricate dynamics of the royal court, Amalia Lewenhaupt (Königsmarck) persuasively influenced her spouse to enter into the service of Augustus II the Strong, who was at that time engaged in a romantic relationship with her sister Aurora. However, this decision led to dire consequences, as her spouse faced the confiscation of property and a sentence of death in his absence by Charles XII of Sweden in 1703, during the tumultuous Great Northern War. Tragically, her spouse passed away in exile in Hamburg, Germany, in the same year.
The other 2 women in this allegorical portrait:
Left – winged and holding a trumpet is likely Fama, goddess of rumour and fame.
Right – The woman points to the queen while gazing out of frame.
Resa – So Rebecca, I add the thought here that the pointing indicates that Amalia is saying that Queen Eleonora is of rumour and fame?
Rebecca – While the specific meaning of the painting, “Allegory with self-portrait and profile portrait of Ulrika Eleonora the Elder” is open to interpretation, the inclusion of the self-portrait alongside the profile portrait of the queen suggests a significant personal connection between Amalia and Queen Ulrika Eleonora. The portrayal may convey Amalia’s admiration for the queen and her acknowledgment of the queen’s reputation and prominent status. Queen Ulrika Eleonora was renowned for her religious devotion, patience, mild demeanor, and charitable nature, which endeared her to the public. Her modest beauty and dignified presence further enhanced her image as a symbol of hope and lasting peace. Embraced with enthusiasm by the public, she was perceived as a beacon of optimism, and her personal merits bolstered her popularity, solidifying her status as a beloved and influential figure in her time.
Amalia’s Return to Sweden
Following the upheavals and challenges she encountered, Amalia Lewenhaupt eventually journeyed back to Sweden in 1722. Notably, her return to her homeland was accompanied by the fortune-teller Höffern, perhaps seeking guidance and solace after the tumultuous events she had endured.
In 1740, at the age of 76, Amalia Lewenhaupt peacefully passed away in Övedskloster, thereby transcending the trials and tribulations of her lifetime. Her final years were marked by the tranquility of her surroundings, providing a contrast to the tumultuous events she had previously experienced.
Regrettably, Amalia Lewenhaupt’s poignant story was further shadowed by the tragic fate of her firstborn son, Charles Emil Lewenhaupt, who faced condemnation for treason and was ultimately executed in 1743, thus adding another layer of sorrow to her enduring legacy.
Resa – Rebecca, I can’t thank you enough for being here with me to present Amalia von Königsmarck. It’s somewhat jolting to realize that she was on earth 361 years ago.
Rebecca – Thank you, Resa, for this extraordinary opportunity to collaborate with you on “Making Her Mark”. It is truly fascinating to unravel the multifaceted contributions of remarkable women from past centuries and to witness the enduring impact they have on the world of art and culture. These women have left a profound legacy that continues to inspire and shape our artistic landscape today. By delving into their lives and artistic endeavors, we gain invaluable insights into the richness of history and the enduring influence of these visionary individuals.
Thank you again and again Rebecca!
You can visit Rebecca on Chasing Art! Also for links on the research, just click on the above banner!
Several years ago I thought I saw John Lennon’s face painted in a doorway, as the streetcar I rode trundled by at full throttle.
Making a mental note of the area, I vowed to return and find it. Since, I have been in the area quite a few times, but could never find it.
One day last week was the last time I would search for it, having come to believe I dreamt it. Suddenly it was there, obvious for all to see and almost exactly where I thought it would be. Why hadn’t I seen it all those other times?
Thrilled to the point of growing an extra toe, I blathered the whole experience in the first comment I made when back on WP. The victim was Trent from Trent’s World, and I asked him to pick a song.
Trent’s reply the next day:
“Hmm, my first thought was Instant Karma, but I just went back and listened to a few and I think it has to be Mind Games”.
“Even when it was released, it was deemed nostalgic, a feeling that comes across even stronger now. And it has all of the classic Lennon philosophies about peace, love and being positive – “YES is the answer” with that it’s up to the individual to change the world philosophy. “
“Part of the nostalgia is that it has an almost Beatles feel to it while being 100% a Lennon solo work – almost like those two songs from The Beatles Anthology in the 1990s that were Lennon demos finished by the other three, only this is 100 times better. “
“It is also odd (to me) that it is a super simple song musically – the music is just the road John’s ideas ride on to get to their destination. Anyway, “Mind Games” is my pick “
Pics taken by Resa – June 3, 2024
Toronto, Canada
The Artist: Unknown at this time
Thinking about it today, the song is amazingly perfect. After all, the painting had been playing mind games with me for years. I actually came to believe I’d dreamt it. Maybe John is laughing?
Welcome to the “Making Her Mark” Self Portraits Series! How better can we get to know some of the amazing female artists, from 1400 – 1800, than to introduce them through their own visions of self.
Rebecca: – Resa, I was thrilled to receive your invitation to participate in the Self Portraits segments of your “Making Her Mark” virtual event. What better way to begin this journey of discovery than with the artist, Sarah Biffin. I confess this was the first time I heard her name, which can be spelled either Sarah Biffin or Sarah Biffen.
Resa: So Rebecca, now that you’ve heard her name, I’m excited to hear what you have discovered.
The Remarkable Journey of Sarah Biffin
Born with a disability, Sarah Biffin’s remarkable journey from sideshow attraction to an artist patronized by royalty remained little known until recent years. Despite her initial challenges, her early talent blossomed into outstanding artistic ability, leading to recognition and patronage by the aristocracy. Her story serves as a true testament to the transformative power of opportunity and mentorship, showcasing the incredible potential that lies within each individual.
Born on October 25, 1784 in East Quantoxhead, Somerset, Sarah was the third of five children born to Henry Biffin, a farm labourer who later became a shoemaker, and Sarah Perkins. The baptism register noted that Sarah was born with a rare condition known as phocomelia, rendering her without arms or legs. At the age of 25, she was reported to be approximately 3 feet tall.
When she was 20, Sarah was exhibited as an attraction by a travelling showman at fairs throughout England. Even without formal training, crowds were impressed by how she used her mouth to sew, write and paint watercolours and portrait miniatures.
And then…. serendipity smiled and transformed Sarah’s destiny.
Sarah Biffin’s life was undeniably impacted by a twist of fate. It was at the St Bartholomew’s Fair of 1808 that George Douglas, 16th Earl of Morton (1761-1827) noticed her. This serendipitous encounter changed the trajectory of Sarah’s life in a profound and inspiring manner.
His sponsorship of Sarah Biffin, an artist born with a rare disability, enabled her to receive art lessons from renowned painter William Craig of the Royal Academy of Arts. Notably, George Douglas is remembered for his patronage of the arts and his support of individuals with exceptional talent.
As a result of the Earl of Morton’s support, Sarah’s artistic skills developed considerably. By the time she reached her 30s and 40s, she had become an extraordinarily talented artist, often considered to be as good as the best portrait miniaturists of her time. This period marked a significant ascent in her artistic prowess, solidifying her legacy as a remarkable and influential artist.
Patronage, Marriage& Legacy
Sarah’s exceptional artistic talent earned her prestigious commissions, including from the Royal Family, leading to her widespread popularity and acclaim. This royal patronage elevated her status and contributed to her flourishing career as an artist.
On September 6, 1824, Sarah entered into marriage with Stephen Wright in Kilton, Somerset. Despite the eventual end of the marriage, Sarah continued to exhibit under her married name in the years that followed.
Sarah’s influence extended beyond the realm of art, as she was prominently featured in the works of renowned author Charles Dickens. Dickens referenced her in several literary works, including “Nicholas Nickleby,” “Martin Chuzzlewit,” “Little Dorrit,” and “A Plated Article,” underscoring her cultural significance and enduring legacy.
Sarah’s Last Self-Portrait
Resa – Rebecca, what an honour it is to have seen this portrait in real life. I took one close up within the glass free board frame, and one how it was on the wall. It’s a real treat to not have to look through glass.I hope my photography does it justice.
Rebecca – Your photos allowed me to step through the screen and join you virtually at the AGO. It was as if I were viewing the paintings in person.
Resa – Rebecca, I am so happy you are here! Thank you for joining me!
Rebecca – Thank you, Resa, for the invitation to join you on this profound “art” journey. I am thrilled to be sharing “Making Her Mark” with you. Thank you for your extraordinary vision of creativity within our complex, evolving world. You have redefined the art world through your unparalleled leadership, emphasizing compassion and hope as guiding principles. Your profound understanding of art’s transformative power has inspired me and countless individuals, fostering a deeper appreciation for the inherent beauty and significance of artistic expression.
Resa – Thank you, Rebecca! Graciously and humbly.
I hope you all enjoyed this close up feature on Sarah Biffen. A million thank you’s to Rebecca Budd for joining me, with her fabulous research, in this Self Portraits series. Rebecca and I will be back with further instalments highlighting other women who made her mark with art.
Click on the banner above to view some of the site links Rebecca found and used for her research. The Artnet link reveals many of Sarah’s works. Unfortunately none are for sale
Visit Rebecca at CHASING ART! Here you will also find links to her other blogs and Podcast Tea, Toast and Trivia
Photos of Sarah Biffen’s self portrait taken by Resa – May 14, 2024
Dan Anton at No Facilitieshas an annual creative Doors Challenge. It starts with bloggers submitting door photos. Then we are challenged to pick a door and create.
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