Women of the Art-istocracy

On By ResaIn Making Her Mark

They were not royalty, but may have painted for royalty.

Their parents worked for royalty, were politicians, acclaimed artists or important clergy. These aristocrats wielded economic, political, and social influence. They were fortunate ones, before and during the rise of a European middle class due to the industrial revolution.

Louise-Adéone Drölling

French – 1797 – 1831

Young Woman Tracing a Flower – Circa 1820-22

Louise-Adéone‘s father, Martin Drölling, and older brother, Michel Martin Drölling, were celebrated artists in their day. At the age of 15 she was encouraged to begin painting.

In 1819, Louise-Adéone married architect Jean-Nicolas Pagnierre. Widowed in 1822, she remarried Nicholas Roch Joubert in 1826. Joubert, chief tax officer of Paris, was the son of politician and former bishop Pierre-Mathieu Joubert. They had two daughters, Adéone Louise Sophie, and Angélique Marie.

Louise-Adéone Drölling, aka Madame Joubert won a Gold Medal from Salon des Amis des Arts, for her above painting; Young Woman Tracing a Flower. Thought be a self portrait, it later became part of the distinguished collection in the Gallery of La Duchesse de Berry.

I have found conflicting dates of her Gold Award – 1824, 1827 or 1831.

Marguerite Gérard

French – 1761 – 1837

Motherhood Circa 1795-1800

Marguerite Gérard attained much wealth and real estate during her life, despite remaining unmarried.

In 1775 she moved from Grasse to Paris and lived with her sister’s family. Her sister was married to the popular Rococo painter Jean-Honoré Fragonard. Here she had financial freedom and was trained in art as Fragonard’s unofficial apprentice.

By her mid 20’s, Gérard had achieved a signature style. This involved precise details made with subtle and blended brush strokes, inspired by 17th-century Dutch genre paintings. However, she made it her own by focusing on females in intimate domestic settings.

Young Woman Embroidering – Circa 1815-20

In the 1790’s, once the Salons were opened to women, she exhibited often, winning three medals.

Over the course of her successful fifty years, Gérard survived the French Revolution and Napoleonic Wars.

Her paintings were acquired by luminaries such as Napoleon and King Louis XVII.

Her small-scale, portable canvases appealed to many wealthy collectors, who preferred to display her small scale still life and genre paintings in their homes, over large historical canvases.

The numerous engraved versions of Gérard’s paintings made them accessible to less affluent art lovers and helped increase her reputation.

Gérard did not always follow convention, turning down a place at the French Royal Academy.

Catherine Lusurier

French – 1753 – 1781

Portrait of a Woman Drawing

Catherine Lusurier died at the young age of 28 years old. There is not a lot known about her, and only a few known signed paintings are accounted for.

Her mother, Jeanne Callot, was a dressmaker, while her father Pierre was a milliner. Apprenticing under her uncle, Hubert Drouais (1699-1767), her work bears his stylistic influence. Her paintings are predominantly portraits of children and artists.

A Catherine Lusurier work recently headlined Christie’s Old Masters and 19th Century Paintings, selling from a Private Collection. Sold Without Reserve at 3.11 million dollars, it exceeded the pre-sale high estimate.

Amélie Legrand de Saint-Aubin

French – 1797 – 1878

Portrait of an Artist Drawing a Landscape in her Sketchbook – 1831

Amélie Legrand de Saint-Aubin, the eldest daughter of Pierre Jean Hilaire Legrand de Saint-Aubin (1772–1839) and Denise Marie Claudine Legrand (1772–1855), was born in Paris. After training and studying in the Women Only Studio with Charles Meynier, Amélie Legrand de Saint-Aubin‘s Rococo style portraits and history paintings grew in popularity.

Portrait of an Artist Drawing a Landscape in her Sketchbook is of a long standing tradition of women artists picturing women painting art.

Political changes from the French Revolution resulted in women being allowed to exhibit in the French Salon. Amélie Legrand de Saint-Aubin went on to exhibit at 17 salons over the course of her career.

Around 1831, she began teaching, offering private lessons. She never married.

“This stunning portrait recently joined the AGO’s permanent collection and made its debut as part of the exhibition Making Her Mark: A History of Women Artists in Europe 1400 – 1800. “

Marie-Guillemine Benoist

French – 1768 – 1826

Portrait of a Lady Circa 1799

Marie-Guillemine was born in Paris. Her mother was Marguerite-Marie Lombard and her father, René Laville-Leroux, a royal administrator for the ancien régime state. Marie and her sister, Baroness Larrey, (1770–1842), studied art from Élisabeth Vigée-Lebrun. Later they studied under Jacques-Louis David.

Her first exhibition was in 1784, at an annual 1 day show in Paris – Exposition de la Jeunesse. 

Until the Louvre Salon became open to all exhibitors in 1791, where Benoist was one of 22 women presenting, she showed yearly at the Exposition de la Jeunesse. 

At the Salon in 1804, she won a medal, whereby France’s new Emperor, Napoleon Bonaparte, ordered multiple commissions.

Other than her Salon successes, which are in the French state collection, Benoist’s work, including Portrait of a Lady was attributed to a man; in her case, Jacques Louis David.

Like many women artists of her day, their posthumous fate was to be overlooked, forgotten and/or effaced.

Mary Beale

English – 1633 – 1699

Portrait of a Woman with a Black Hood -Circa 1660

Mary Beale was the daughter of a clergyman, John Cradock, so it seems natural that much of her portraiture is of churchmen. It is not sure who she trained under, but she received considerable guidance from Peter Lely

In London, she moved in intellectual circles. By, and into the 1670s she was in demand as a portrait artist, earning enough money to support her family of four.

After several years of mundane civil service; Mary’s husband, Charles Beale, left his monotonous job to become her full time studio manager.

Much has been learned from the many notebooks he kept.

One example: Charles recorded that in 1677 Mary completed 90 commissioned portraits. There were 31 female sitters and 34 male. The women and girls were mostly either titled or gentry. Men and boys were gentry or of “middling sort.” 

Rosalda Carriera

Italian – 1673 – 1757

Portrait of a Woman – Circa 1720’s

Rosalba Carriera was born in Venice to Andrea Carriera, a lawyer, and lacemaker, Alba Foresti. Taught to make lace by her mother, little is known of her artistic training. She is renowned for pastel portraiture and allegories.

In 1720, during a stay with French banker Pierre Crozat in Paris, Rosalba created portraits of Louis XV as a child, and members of the French aristocracy. Here she developed a friendship with Antoine Watteau, who influenced her work.

Rosalba is one of the originators of the Rococo style in Italy and France.

Her greatest patron, Augustus III of Poland, collected more than 150 of her pastels. He also sat for her in 1713.

In 1746 she lost her sight, but her work continued to influence many other artists.

I’ve merely highlighted these women’s lives. There is so much more to know about our trailblazing sisters, who went before us.

Click on Making her Mark above to view sources.

All photos taken by © Resa McConaghy – May 14, 2024

Making Her Mark exhibition – Art Gallery of Ontario

137 thoughts on “Women of the Art-istocracy”

  2. A tremendous, well-researched post, Resa. So informative! You have done a real service writing about these talented women artists mostly lost to history.

    1. Thank you Dave!

      All this, the posts with Rebecca and more in the future are yet from the “Making Her Mark” exhibit I saw last year.

      The purpose of the show was to bring these women into the light, and have it shine one each individual artist.

      Stemming from the question title of Linda Nochlin’s famous 1971 Essay – “Why Have There Been No Great Women Artists”, it goes to the answer that there were great female artists. It exposes how they and their works were snubbed or hidden, claimed by men and even destroyed. Basically, they and their work are victims of a patriarchal society.

      Anyway, I took many photos that day, and will continue until they are used up.

        1. Special to you, because you are special.
          I know you have a lot on your plate, but when things lighten up, I hope we will do another post together.

  3. Fascinating, Resa. Thank you for sharing! I will come back to look at the links. I’m captivated by the first painting–how she captured that moment. You can almost feel the pressure as the woman’s hand presses on the paper, and the movement when she turns to look at the squirrel.

    1. That painting was a stand out for me at the exhibition. I believe our AGO owns that one.

      One research piece said the squirrel was a pet.
      I don’t know how they know that if the portrait is only “believed” to be a self portrait, but perhaps squirrels were common as pets.

      I’m smitten by the cat in “Motherhood”. It looks just like this cat my friend had a couple of decades ago. The cat’s name was “Patches Lyle”, and is probably a descendant of the cat in the painting.

      I did not use any “Wikipedia” research. I used Art Galleries and other more credible history sources.

        1. Yes, depends on the direction of the wind.
          There’s been a couple of days they said, just stay inside!
          Also, I looked it up, and wearing a face mask helps filter many particles in the smoke, but does not filter out invisible toxins.
          On some days I see a lot of people wearing masks (including me) for the partial benefit they offer.
          The wildfires were always a thing, but for the last 8 years, got bigger and bigger.
          Also, the summers in Toronto are WAY hotter.
          A hot day used to be in the 90’s. Now we have days (Heat dome days, they call them) where 110f is normal. We’ve had a few up to 120F.
          Humidex is always factored in.

          So, I am not out of my mind. It’s not just a freak hot year here and there. Summer has become unbearable.

          Sorry, you have to endure out smoke!
          HUGS!

          1. Same here! 90’s and 100’s all the time and hardly any rain after the deluge we got this spring. Rivers and wells are low and with more building going on here it could mean manmade disasters 😦 So glad I will be 70 in March 🙂

              1. It certainly is not the carefree one we used to live in. Greed and loss of self respect and decency are not what it used to be. I am not worried about earth and all the drama folks march for, it must be my deep rooted faith and the beauty that is still out there to behold if one opens their eyes and heart to like you I see it everywhere but I need to work on anger it is not good for me to see so many humans acting as they do. Guess I miss the love and peace I so wanted in the 70’s lol but soon it will come, as being in my 70’s and the life I led I will not live to see 100. Have a great week Resa. xo

                1. I hear you and feel you, Eunice.
                  I too miss the 70’s love power I thought was going to guide the world to a better place.

                  In some ways the ideals and hopes of the 70’s were assassinated with John Lennon in 1980.
                  Eunice, enjoy the world you know. Your place is gorgeous, Brady is a beauty, you’re a terrific artist and there is so much nature around you.

                  Living in steel and cement town Toronto, I lean on the arts for my beauty and inspiration. xoxo

                  1. Thank you Resa, I know you are right, it has become so ugly out there. I am blessed daily, no matter the struggle, with what I surround myself with. Thanks for always being an inspiring force for me to reach out to and guide my inspiration through our blogs xo

  5. Oh, how wonderful, Resa! “Young woman tracing a flower” is, I think, my favorite painting. There’s something very appealing and playful about it. I love them all, though; it’s marvelous to learn about these truly gifted female artists and their lives. Thanks for sharing! 💜🎨💐

    1. Thank you for this considerate comment, Ada!

      “Young woman tracing a flower” is special. It is a stand out to see in real life. It emits feeling. The pet squirrel is adorable, attracting the woman’s attention as she traces.

      Doing the research for this “Making Her Mark” project, is personally rewarding.

      Hope all is well in Ada-ville, and the new position is rewarding!
      💜🎨💐xo

    1. I really enjoyed the research. I do feel a bit driven to share about women artists from the past.
      They need to be known, let alone remembered.
      It was the most inspiring art exhibition I’ve ever been to.

    1. Luisa!
      It’s crazy how many women in art history have been hidden away.
      There were 320 exhibits by women – 1400 – 1800 at this show. Some of them recently discovered, because men had signed their name over hers.

      Rosalba Carriera is finally getting her global regard for being at the forefront of the Rococo movement. It is very sad that she went blind.
      xo💙

  8. These paintings are nearly too beautiful to bear! Such artistic expression in every aspect is sheer perfection. It is baffling that that such gifted artists were kept as near secret as to their gender and only until recently were women artist’s held in the same category as men. At any rate these portraits are beautiful and thank you so much for continuing this series on women in art. Lovely to look at and a tribute well deserved to the women in art.
    xoxoxoxoxo

    1. Dear Meece,

      I adore working on this series. This art exhibition was the most inspiring art experience of my life.
      Doing the research and making the posts is enriching.

      Women are catching up in the arts. Still, I don’t get why there is any inequality at all,( not just in the arts) in our 21st century cultures. (Of course some cultures are operating in the 14th century.) All reasons sound like excuses to me.

      Anyway, like you say the art is staggeringly gorgeous.
      I try not to get disheartened about my art when I look at these masterpieces, but take inspiration in doing what I can do, as they did what they could do.

      Thank you for your lovely and caring comment!
      xoxoxoxoxoxoxo

      1. I’m getting some satisfaction that Frida Kahlo’ s art has by far surpassed Diego Rivera’s paintings in value. So many great women artists , they don’t get enough exposure. So an inspired project you have created here is brilliant.
        You are a gifted artist Resa. Your potential has yet to be tapped.
        You are bubbling over with creativity in so many areas realized from the very beginning when you realized your potential as a designer and took it all the way to the top.
        Thank you again for bringing the accomplishments of these amazing women to life.
        xoxoxoxoxo

        1. Diego who??? 😂🤣
          Thank you dear Meece! I do try, and the best thing in life has been being creative, and knowing creatives like yourself.

          I love learning about these women!

          XOXOXOXOXO

          1. Diego was a famous artist who married Frida and was considered a great artist but finally Kahlos art is now more valuable price wise than his! Too bad he’s not alive to see this. 😂

            1. I was being facetious!! 😂😂
              I’m with you! From what I’ve read, (and some of it was a post you did) he was not nice to her.
              Her art is unique, filled with a passion. His is so/so. Meh. No feeling.

              xoxoxoxoxo

                1. Lol… Yes, he was a total woofer!
                  Okay, I’ve reached that point in my drawing where I need some feedback.
                  Just mailed you a couple of pics!
                  xxxx🐭🐭xxxx

    1. Thanks Trent. It took awhile to do the mini-bios.
      Kind of crazy, but for some there was so much info, I had to distill and distill.
      Others, almost no info at all, so search and search.

      I love the artwork too.
      The AGO is hosting an exhibition of Jesse Mockrin’s new age type classical work in September. I can hardly wait!

      1. I am sure it was a lot of work to do this! It is interesting what history passes to us. I am not surprised that with the info it was either feast or famine.

    1. You are welcome Brad!
      I admire these women, too. I am richer for having researched their bios.
      Curious – what is your fave art style/ or artist?

        1. No such thing as low brow in art. Of course I suppose my art would be considered bohemian.
          I love street art. Again, bohemian.
          I’m not a big fan of the Group of Seven. Any “high brow art person” would gasp to hear me say that.

          I LOVE realism. Alex Coleville is my fave. 💜

    1. Thanks Tim! xx
      Yeah, art photos are a challenge, especially with all the spot lights on the art… and glass, and even the oils reflect.

  13. Thank you for giving these talented artists their due!! I absolutely love the “Motherhood” painting. It’s such a happy domestic scene, worthy of being immortalized.

    1. I love the “Motherhood” painting too, Liz!
      Considering the artist never got married or had children, she felt it beautifully.

      I was very inspired by the “Making Her Mark” show, and will continue posting the pics I took that day, with info about the artists.

  14. What an excellent post featuring these gifted woman artists and their rich background. I have a mirage of naked cherubs in paintings which I adore! Amazing the one died at 28 and one never married. I didn’t know that wasn’t allowed in the day. They were all so talented. Have you seen Outrageous. I’m watching it now and loving it! Great work, Resa and thanks for sharing this with us! ❤️

    1. Love cherub paintings!
      I would think you could get away NOT being married if you had a supportive family. Or, if you didn’t give 2 hoots about how they would pity “the old maid” behind your back.
      It was rare, for sure.

      In some times and places you could be burned as a witch, if not married.

      Cindy, I’m thrilled you appreciate the post. I have more female artists from the past to share, as time goes by.
      Bg Love! 💜

  15. Hi Resa, it is very interesting to read about female artists from these earlier time periods. It couldn’t have been easy for them to get ahead as artists then and the fact they did says a lot about their families and the tenacity of these women.

    1. Agree, Robbie.
      I admire them a lot. Even today being a woman can be (& is in many places) a hinderance.
      I’m going to post about different female artists every so often, until all the pics I took at the “Making Her Mark” exhibit are done.

  16. Many thanks, Resa, for this intriguing and well researched presentation of European and English women artists in centuries past. I love their perceptive portraits, so much is revealed in their expressions. Sometimes droll, sometimes enduring or simply bored. Others convey the passion of a rich inner life. Lovely!

    1. Welcome, Cheyenne!
      There were no cameras, so this was the only way to record (and in writing) what someone looked like, what they wore, colours, hairstyles, etc.
      And you are right, as artists they captured emotion, or lack thereof.

      Thank you so much for reading and your wonderful comment!

    1. You are welcome! I’m so pleased you enjoyed this post.
      I adore shining the light on women artists from the past, and will shine more on others.

      You are 100% right, Jo. They are every bit as good as the men, some of who signed their names over the female artist’s and claimed it for themselves.

  19. Resa, your dedication to uncovering and celebrating the stories of women artists is extraordinary. I’m continually inspired by the care you take in presenting their lives and work with depth and accuracy. Louise-Adéone Drölling and Marguerite Gérard and all the other creatives named in your post come alive through your words — not simply as artists, but as women navigating complex social worlds with strength and creativity.

    Your post reminds me how vital it is to keep these stories present — not as distant history, but as living threads that connect us to the richness of women’s contributions across generations. Thank you for continuing to shine a light where too often there has been shadow.

    Wonderful!! I will be back to look at this post over and over again. Thank you so much. You are amazing.

    1. You are welcome Rebecca! I feel the same about you and Chasing Art.

      I agree with everything you say Rebecca!
      Many fabulous women went before us. It’s their time to be remembered in a glowing light.

      And, there is much happening today in the world of art. (all the arts)

      I am excited to see the Jesse Mockrin exhibit in September at the AGO.

      Women Into the light:
      “So people are talking about revolution. What a revolution it would be to have a woman president.” – Madeline Albright

  20. I love the Art-istocracy! What a beautiful post, dahlin. These women were so talented. So important sharing their stories and you do it wonderfully!

    Love and many hugs!

    xoxoxoxoxoxoxoxoxoxo

    ps…and slobberies! xoxoxoxoxoxo🐾

    1. Thank you dahlin”!
      I aim to cover a lot more. I took a lot of pics at the show. I’ll keep going until they are all said and done for!
      Love and Hugs back!

      (will write back tomorrow)
      xoxoxoxo🧽🧽🧽xoxoxoxo🧽🧽🧽xoxoxoxoxo

        1. Awww! Thank you!
          Nudes will be next, at a time women weren’t allowed.
          You’re a treasure, too!
          xxoxoxoxoxoxoxoxoxoxoxoxoxoxoxoxo

    1. Thank you Dawn!
      Ahh, very cool. Ontario is a beautiful place.
      Crazy though, 250,000 lakes, and the forest fires still rage.

  22. Well, may I say this is some lantern you have shone on these women. Every one of them amazing in terms of their work and their lives. This is a terrific post.

  23. I always put a voice to people from the past, as in the distant past before recording devices were even a fantasy. I imagine all of these women’s voices would be strong, confident. Thank you for bringing us their stories, Resa, you’ve done a spectacular job of it.

    1. Welcome and thank you, Marc!

      I was quite moved by the MHM exhibit. I took lots of pics (allowed, and also okay to post, but not for any $$$ purpose).
      So I will post about these female artists from the past every so often until the pics are finished.

      I like your comment. You are a cool dude.(and a fab writer)
      As an individual, I am the sum of everything I have done in my life up to now.

      Humanity is the sum of everything it has done up to now. For all it’s accomplished,(and these accomplishments are largely individualistically conceived and achieved for humanity: war, rape, murder, torture, suppression, repression place humanity, as a whole, into the “Loser” category.
      I believe Aristotle had it wrong when he said (attributed)- “The whole is greater than the sum of the parts.”
      It appears the un-summed parts are greater than the whole. – Resastotle.

      MUAH!

      1. You are a cool dudette and a great . . well, everything! You do it all, you’re a Renaissance woman and that ain’t no lie.

        AND you are so deep! Love your thoughts.

        MUAH!

        1. Thanks!
          Whew! I’m still thinking.
          I’m trying to start an underground art movement. NO AI!
          No putting art: drawing, painting, music, film and creative writing online for AI to vacuum up.

          Not sure how it will work, exactly, but it will be an art Rebel Resistance Renaissance!

          So far I’m working on a meme…that will go online! I wonder if ICE will come for me. Is there Art ICE?

          MUAH!

          1. They BEST not come for you or the other underground movement . . the one with dudes who are big fans of yours, will be there to stop them in their tracks.

            You must move forward with this movement, Resa. Move forward with this Rebel Yell!

  24. Thank you for such an illuminating and beguiling post, Resa!! I definitely would love to visit the Art Gallery of Ontario next time I’m in Toronto.

    I haven’t heard of most of these women, partly because of my own ignorance, but boy, their work is amazing. I particularly adore Louise-Adéone Drölling’s Young Woman Tracing a Flower 🤩

    It’s disheartening that many women artists’s posthumous fate was to be overlooked, forgotten, and/or effaced… their stories would make an intriguing documentary!

    XOXO ♥ ❦ ♡

    1. For sure Ruth, it’s a drag that patriarchal history dismissed them, but they are emerging into the light.
      Yes, it would make a fab documentary.
      It could also be the basis for a fiction based on reality story.
      OMG..the costumes!

      We have an amazing Art Gallery. I’ll meet you there when you get here!

      Okay, going to go watch another Emmy nom I haven’t seen.
      I don’t like medical dramas, but I gotta say “The Pitt” is excellent.
      I’m still fixated on “The Penguin”. Two more eps. to watch. It could very well sweep.

      XOXOXOXO

      1. Yeah, the costumes for a doc/narrative films about these artists would be A-MAZING!! You’d be perfect to work on such a project… if only I had the funds to get that made, oh la la!

        Ok, it’s a date!! My hubby often has to go to Toronto for work, but flight ticket has been so expensive that I haven’t been able to tag along. Hopefully sometime next year [fingers crossed!]

        I’ve been wanting to see The Penguin, since I LOVE Colin Farrell’s performance in The Batman. Glad you’re enjoying that. I don’t think I have the stomach to watch The Pitt though.

        1. One more “Penguin” ep. to watch. I love it. I haven’t followed the “Batman” movies for quite awhile, so I didn’t know about Colin Farrel having already played Penguin.
          He is phenomenal in the series.
          Bet he takes the Best Actor Emmy in that category home!

          Hahaha, the stomach for Penguin, but not The Pitt! I get it! Still, I had to watch it for judging best Drama Series.

          There’s stiff competition there. 8 noms. I still have 5 to watch. I’m watching “The Diplomat” tonight.

  26. I enjoy learning about the history during these time periods, Resa. They were amazing. And in today’s world, women still have it tough, so I can only imagine how difficult it was for these women to pave their paths. Thank you for putting them in the spotlight for us. A wonderful post. ❤️🤗🎨❤️

    1. Thank you Lauren!
      It takes time to do the research, and it’s worth it.
      I had a reason for photographing the art in the show, and this is it!
      I’m thrilled you like this project.
      xo💖🌹🌟❦❦

  27. There’s so much to love in this beautiful art history post, Resa. Well done! I wasn’t familiar with Amélie Legrand de Saint-Aubin, and that’s a stunning portrait. I’m fascinated with it. Thanks for doing all this. I know it was a lot of work. Hugs.

  28. Their lives were so very different from ours today, Resa. A privileged background would have made it easier for them to pursue the arts but its interesting how many lady artists you’ve ‘unveiled’ here, and obviously enjoyed doing so xx

    1. So crazy different!

      I’ve got more women from the past to highlight as time goes by. I took a lot of pics of their art, but the research takes a lot of time. So, little by little!
      YES, I do enjoy it! xx

  29. Thanks for this fascinating showing of some of the empowering women from earlier times. I wasn’t familiar with these French talented women. Hugs xoxo

    1. Debby, I love learning about these women from the past.

      It’s hard enough being a woman today, never mind back then. They were accomplished, although only becoming known today.

      SO! How the heck are you holding up in this heat? I’m quite sickened. Heat’s breaking tomorrow, and I’m off for a walk, before the weekend kicks in. It’s Caribana weekend, and the parade spills up here. People come up for food and drink.

      I’ll be a prisoner, but I love watching from my window. The women’s costumes are fantastic! 🌟🌹❦🌟🌹❦

      1. Oye! You’re right in the thick of things! I’ve been staying cool inside my home and my car with aircon to get to the gym with aircon and back, lol. I think the whole world is in heatwave. And Yes to empowering women! xoxox

        1. Woo Hoo! Sound of being happy after a 2 hour walk, in minimum heat. Yes, I’m in the thick.
          Yay to Debby and all women!
          xoxoxoxoxo

  30. Resa, this post was really enjoyable. Cheers to getting to know more about these talented women artists – and the way you did the succinct sharing for each one – with some nice detailed shots – like of the girl tracing at the window – was well done.

    1. Thank you!

      I took the pics at the exhibition. We were allowed, and also to share on social media. However, no commercial endeavours allowed.

      So, how can I not share? It’s so great to learn about sisters from the past!

      I appreciate you taking the time to read this and comment! 🌟

  31. What a wonderful collection of female artists, Resa. It still impresses me that some women were able to break out of the male-dominated world of art and find acclaim. Money and/or sponsorship were essential, but still…. I love the self-portrait of Amelie Legrand de Saint-Aubin (a le grand name). Her expression is fabulous. A great one for the permanent AGO collection.

    1. I adore learning about sisters from the past.
      The pics I took at the MHM show have given me that opportunity, and blogging the opportunity to share.
      Hope your summer is being restful!

      I have a new, older Catling to draw, with a new eye rose!
      Sending hugs your way! 🌹

  32. I’m speechless! This is a remarkable collection of exceptional women’s art—absolutely brilliant! Thank you, Resa and Rebecca, for sharing these precious treasures.

    👏👍🥰🙏💖

    1. You are welcome, Aladin! There’s still more women to celebrate, and we will every so often.
      Take care!
      🌟💖🌹❦✌️

  33. Loved your posting of these talented women Resa. Reading about their history and how they were able to establish themselves during those male dominated times, all the more remarkable.
    Such talent, and I loved the closer inspection of the portraits up close, and the detail given in the gowns and lace. And their complections so fresh looking.

    Always a pure delight Resa, in reading and digesting your posts on Art and its history.

    Sending you much love my friend and have a wonderful weekend xx ❤

    1. Thanks Sue!
      I love learning about these women. Theirs was definitely a challenging time for women.
      It still is in many parts of the world, and some places want to turn women’s rights backwards.

      I’m so loving this project!
      You have a fab weekend too, Sue!
      xoxoxo

  34. Pingback: FlixChatter’s JULY Viewing Recap + Movie(s) of the Month – FLIXCHATTER FILM BLOG

    1. Thank you, Charlie!
      Yes, and I have more posts to share about our sisters who where so talented, yet forgotten until recently. 💙

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