Welcome to the “Making Her Mark” Self Portraits Series! How better can we get to know some of the amazing female artists, from 1400 – 1800, than to introduce them through their own visions of self.

I have invited Rebecca Budd, curator of the online gallery – Chasing Art – to join me in unearthing more of the history of these artists.

Resa: Welcome Rebecca!

Rebecca: – Resa, I was thrilled to receive your invitation to participate in the Self Portraits segments of your “Making Her Mark” virtual event. What better way to begin this journey of discovery than with the artist, Sarah Biffin. I confess this was the first time I heard her name, which can be spelled either Sarah Biffin or Sarah Biffen.

Resa: So Rebecca, now that you’ve heard her name, I’m excited to hear what you have discovered.

The Remarkable Journey of Sarah Biffin

Born with a disability, Sarah Biffin’s remarkable journey from sideshow attraction to an artist patronized by royalty remained little known until recent years. Despite her initial challenges, her early talent blossomed into outstanding artistic ability, leading to recognition and patronage by the aristocracy. Her story serves as a true testament to the transformative power of opportunity and mentorship, showcasing the incredible potential that lies within each individual.

Born on October 25, 1784 in East Quantoxhead, Somerset, Sarah was the third of five children born to Henry Biffin, a farm labourer who later became a shoemaker, and Sarah Perkins. The baptism register noted that Sarah was born with a rare condition known as phocomelia, rendering her without arms or legs. At the age of 25, she was reported to be approximately 3 feet tall.

When she was 20, Sarah was exhibited as an attraction by a travelling showman at fairs throughout England. Even without formal training, crowds were impressed by how she used her mouth to sew, write and paint watercolours and portrait miniatures.

And then…. serendipity smiled and transformed Sarah’s destiny.

Sarah Biffin’s life was undeniably impacted by a twist of fate. It was at the St Bartholomew’s Fair of 1808 that George Douglas, 16th Earl of Morton (1761-1827) noticed her. This serendipitous encounter changed the trajectory of Sarah’s life in a profound and inspiring manner.

His sponsorship of Sarah Biffin, an artist born with a rare disability, enabled her to receive art lessons from renowned painter William Craig of the Royal Academy of Arts. Notably, George Douglas is remembered for his patronage of the arts and his support of individuals with exceptional talent.

As a result of the Earl of Morton’s support, Sarah’s artistic skills developed considerably. By the time she reached her 30s and 40s, she had become an extraordinarily talented artist, often considered to be as good as the best portrait miniaturists of her time. This period marked a significant ascent in her artistic prowess, solidifying her legacy as a remarkable and influential artist.

Patronage, Marriage & Legacy

Sarah’s exceptional artistic talent earned her prestigious commissions, including from the Royal Family, leading to her widespread popularity and acclaim. This royal patronage elevated her status and contributed to her flourishing career as an artist.

On September 6, 1824, Sarah entered into marriage with Stephen Wright in Kilton, Somerset. Despite the eventual end of the marriage, Sarah continued to exhibit under her married name in the years that followed.

Sarah’s influence extended beyond the realm of art, as she was prominently featured in the works of renowned author Charles Dickens. Dickens referenced her in several literary works, including “Nicholas Nickleby,” “Martin Chuzzlewit,” “Little Dorrit,” and “A Plated Article,” underscoring her cultural significance and enduring legacy.

Sarah’s Last Self-Portrait

Resa – Rebecca, what an honour it is to have seen this portrait in real life. I took one close up within the glass free board frame, and one how it was on the wall. It’s a real treat to not have to look through glass. I hope my photography does it justice.

Rebecca – Your photos allowed me to step through the screen and join you virtually at the AGO.  It was as if I were viewing the paintings in person. 

Resa – Rebecca, I am so happy you are here! Thank you for joining me!

Rebecca – Thank you, Resa, for the invitation to join you on this profound “art” journey. I am thrilled to be sharing “Making Her Mark” with you.  Thank you for your extraordinary vision of creativity within our complex, evolving world. You have redefined the art world through your unparalleled leadership, emphasizing compassion and hope as guiding principles. Your profound understanding of art’s transformative power has inspired me and countless individuals, fostering a deeper appreciation for the inherent beauty and significance of artistic expression.

Resa – Thank you, Rebecca! Graciously and humbly.

I hope you all enjoyed this close up feature on Sarah Biffen. A million thank you’s to Rebecca Budd for joining me, with her fabulous research, in this Self Portraits series. Rebecca and I will be back with further instalments highlighting other women who made her mark with art.

Click on the banner above to view some of the site links Rebecca found and used for her research. The Artnet link reveals many of Sarah’s works. Unfortunately none are for sale

Visit Rebecca at CHASING ART! Here you will also find links to her other blogs and Podcast Tea, Toast and Trivia

Photos of Sarah Biffen’s self portrait taken by Resa – May 14, 2024

Art Gallery of Ontario, Toronto, Canada