Vera Bock Illustrates

Love Poems and Sonnets of William Shakespeare

For over 20 years, an inherited first edition (1957) sat upon a shelf in the den. I now share the gorgeous illustrations by Vera Bock, and a bit about her.


When my love swears she is made of truth,
I do believe her, though I know she lies ...


- The Passionate Pilgrim

Vera’s illustrations follow the passage of the Sonnet or Poem that inspired her.


If he be dead, - O no, it cannot be ...

- Venus and Adonis

Born in St. Petersburg, Vera Bock (1902 – 2006) fled the Russian Empire with her family. “Vera and her family caught the last train out of Russia before the Revolution started;” Via Siberia to China, then Japan, they arrived in San Francisco in 1917.


And nothing 'gainst Time's sycthe can make defence
Save breed, to brave him when he takes thee hence
.

- Sonnet XII

Vera’s mother was a Russian concert pianist, her father an American banker.


Not Marble, nor the gilded monuments
Of princes, shall outlive this powerful rhyme ...


- Sonnet LV

Living in London and Paris from 1919 to 1921, Vera trained in woodcutting, manuscript illumination, printing and photogravure. This added to her training in painting and drawing. From 1922 through 1923 she appears to have trained in Switzerland.


Tired with all these, from these I would be gone,
Save that, to die, I leave my love alone.


- Sonnet LXVI

Vera’s 1924 passport application and the 1925 New York State Census stated her occupation was artist, no longer student.


Love's not time's fool, though rosy lips and cheeks
Within his bending sickle's compass come ...


- Sonnet CXVI

From the early 1930’s, when she illustrated Depression Era posters, into the 1960’s when she illustrated for many magazines, newspapers and books, Vera was in demand and very busy. In the 1970’s and on, she continued on a slower pace, illustrating books.


Then come kiss me, sweet and twenty,
Youth's a stuff will nor endure.


- Twelfth Night

Circa 1973 (perhaps later) Vera married her late sister’s husband, George H. Kaestlin, who died in 1981. Surviving him by 25 years, she passed away at 104 years of age.


But, ah, who ever shunn'd by precedent
The destined ill she must herself assay?


- A Lover's Complaint

All drawings ©️ Estate of Vera Bock

In 2016 The last surviving member of the Bock family, Alice Tischler (niece), donated a large collection of Vera’s original book illustrations, and more, to the Farnsworth Art Museum.

Photos of drawings from Love Poems and Sonnets of William Shakespeare in this post are ©️ Resa McConaghy.

According to Bob Forrest Vera loved cats, big time. She dedicated the pictures in the children’s book below.

“To My Cat Serka, who, with all the dignity of his eighteen and one half years, so graciously, sometimes, consented to pose for them – the pictures in this book are respectfully dedicated.”

“It is signed “V.B.” and has a paw–print below it.”

The Fairie Queene, Judith & a Bolognese Elite

Lady Diana Beauclerk

British (1735 – 1808)

This watercolour is an illustration for Canto XII, verses 30-33, from The Fairie Queen: written by Edmund Spencer.

Circa 1781- Watercolour on paper

Diana Beauclerk was the daughter of the 3rd Duke of Marlborough and Lady Diana Spencer (Lady-in-Waiting to Queen Charlotte, 1761)

A scandalous figure, she left her husband.

She then had a clandestine affair with Topham Beauclerk, had an illegitimate child, divorced and remarried. Diana wound up having to earn a living with her artistic abilities.

An amateur artist, she was touted as painting in crayons. She worked as an illustrator, did admirable caricatures and created ceramic designs; notably for Wedgewood.

Click on poetry to read it more clearly.

The Fairie Queen is available to download for free from the Project Gutenburg.

Fede Galiza

Italian – (1578 – 1630)

Judith with the Head of Holofernes – (1596) Oil on canvas

Fede’s father, Nunzio Galizia was a miniature portraitist who taught his daughter. By the age of 12 she was an accomplished artist.

Although she gained prominence in her lifetime, she did not acquire commissions, as her male counterparts did. Largely forgotten, she was rediscovered in the early 20th century.

In her lifetime, Galizia painted at least forty-four still lifes, some of which have been sold for millions. These represent about two thirds of her work. She is credited with having helped define early 17th century still life painting

The biblical tale of Judith is possibly the most feminist in art history.

A beautiful Jewish widow, she went with her faithful maid to the Assyrian enemy general Holofernes tent, and seduced him.

This gained his trust, and she was allowed into his tent freely, thereafter.

One night as he slept drunkenly, Judith decapitated him. She brought his head back to her timorous countrymen.

“Fede Galizia portrayed a calm, bejewelled Judith, with immaculate clothes and accessories at odds with the violence of her act.”

Lavinia Fontana

Italian – (1552 – 1614)

Portrait of Costanza Alidosi – (circa 1595) Oil on canvas

“Like many Renaissance artists, Lavinia Fontana used symbolism to convey messages in her paintings.”

In this painting, the noblewoman’s lap dog (an accessory must of the times) represents her faithfulness.

The juniper blossoms peeking from her neckline represent chasteness.

“Fontana also highlighted her sitter’s status through luxurious clothing and accessories.”

Note the pearl necklace, gold embroidered dress and fabulous lace details!

She was a celebrity, who documented not just fashion of the era, but also fashion accessories.

“Alidosi was one of many Bolognese elites who commissioned their portraits from Fontana”.

Lavinia Fontana was one of the most successful female artists in Bologna, Italy. Fontana left the largest body of existing art by any woman, who was painting prior to the 1700’s. Although much of her work is recorded but lost, about 150 works remain.

This is a lovely large painting.

As one can see, it sits about 18″ from the floor, and rises high above the information placquard, which is at low eye level.

Lavinia Fontana, was recently covered in an earlier post of Making her Mark. To learn more about her, please head over to the following:

Photos taken by ©️ Resa McConaghy – May 24, 2024

Art Gallery of Ontario, Toronto, Canada

Quotes in bold italics are from the Art Gallery of Ontario display placquards.

Click on banner to go to resource links.

Cora’s Quest

Celebrating Lauren Scott’s New Book

Recently, wandering the urban forest, I espied a patch of colour. Turning the corner, a stunning autumn hued tarn with hikers appeared.

Instantly, I thought of Lauren Scott, and her love of country hiking. The next thought was “Isn’t she writing a children’s book? It must be almost finished.”

Well, I asked her. Turns out YES!  Cora’s Quest is just released! As we are having an endless postal strike in Canada, I purchased the EBook.

The Blurb

Cora is a curious fawn who loves spending time with her parents. On one beautiful day, they stroll deep into the wilderness. They trot along on the trails, and Cora finds other animals fascinating. They skitter and fly around her with joyful purpose. Every unique sound catches her attention, stirring her curiosity to discover just where that sound came from. But suddenly her delightful family day takes a turn that begins to test the courage inside of her

I know Lauren is unhappy with how the Ebook formatting came out. She got one from amazon. I got mine from Kobo. Yes, it is not perfect, but it’s all there.

Geared to 2- 5 year old children, this sweet and loving story, complete with enchanting illustrations by Chris Mendez, is the type of book a child might want to hold, carry around or even take to bed.

So, a real book works the magic an EBook can’t!

About Lauren

Cora’s Quest is available in ebook and/or hard copy on:

BARNES & NOBLE

Kobo

Congratulations Lauren!

Mural Pics taken by Resa – November 19, 2024

Toronto, Canada

Mural Artist: